Our latest film STARPOST can now be watched in 9 different languages!
The languages included: English, Spanish, German, French, Portuguese, Chinese, Russian, Hindi, and Japanese
We’ve tried to do this for all of our releases to date including The BackSpace Trilogy, Tales from Black Manor, and our Short Film Collection: Little Red Riding, The Umbrella Factory, Jack the Ripper, Haunting of the White Sparrow, One Shot, and Around the World un 80 Days.
Check out this very cool new article on STARPOST over on The Good, The Bad, and the Verdict! Here’s an exceprt:
STARPOST was born out of a love for two iconic films that capture the essence of high-stakes action and immersive worlds. Directors Nick and Lexie were inspired by Top Gun's adrenaline-pumping dogfights and the fun camaraderie between pilots. They wanted to bring that same excitement and urgency to the screen, but set against a vast, unexplored planet. At the same time, Star Wars has always been a major influence on them, with its rich production design, sharp humor, unforgettable music, and expansive world-building. Nick and Lexie sought to create a film that blends the thrill of high-flying action with the sense of adventure and discovery found in galaxies far, far away. STARPOST brings together these elements—pushing the boundaries of both heart-pounding action and deep, character-driven exploration.
We’re beyond excited to unveil our latest creation, STARPOST! Watch it now! Action awaits!
When a ragtag team of pilots, led by the no-nonsense Scout, gets caught in a deadly dogfight over a hostile planet, it’s up to them to outsmart enemy forces, dodge explosive fire, and escape with vital intel that could change the course of the war.
With her no nonsense boss Hutch and relentlessly optimistic partner Dodge, Scout must lead the charge. The mission is simple: get in, grab the intel, and get out, but things go south fast. One by one, their team is shot down, and Scout’s skills are pushed to the breaking point. It's a high-octane race to survive, finish the mission, and get back home - alive.
Directed By: Nick + Lexie
Written By: Nick Trivundza
Produced By: Nick + Lexie Trivundza
Scout: Rebecca Gomberg
Hutch: Alexander Harris
Dodge: Benedict Mazurek
Jaxon: George Ashby
Duo: Bryan Declan
Command: Daniel L McCullen
Music By: Tilman Sillescu
Props: Global Effects
Stages: Greystone Studios
An Adventure Company Film
Copyright © Adventure Company MMXXV
Get ready for an adrenaline-fueled, sci-fi adventure because STARPOST, arrives on April 15! This action-packed sci-fi thrill ride will take you on a wild journey across the galaxy, featuring super cool robots, spaceships, and heart-pounding dogfights above treacherous, hostile worlds.
Until then, you can check out the Behind The Scenes, Poster Gallery (including this brand new one introducing DUO!) First Look Stills, and more, in the link below!
STARPOST
When a ragtag team of pilots, led by the no-nonsense Scout, gets caught in a deadly dogfight over a hostile planet, it’s up to them to outsmart enemy forces, dodge explosive fire, and escape with vital intel that could change the course of the war.
We’re beyond excited to share the second batch of stills from STARPOST! These new shots offer an even deeper look into the breathtaking world we’re creating. From stunning landscapes to heart-pounding action, get ready for a sneak peek at the adventure that’s about to unfold. The universe of STARPOST is expanding, and we can’t wait for you to see what’s next!
STARPOST is almost here, and we can't contain our excitement to give you your very first glimpse at our next big project!
Get ready for an epic adventure like no other. STARPOST blends thrilling live-action sequences with the cutting-edge power of Unreal Engine, taking you on a wild ride through the cosmos. Buckle up for a space-bound journey that will leave you on the edge of your seat!
In the sci-fi film STARPOST, the filmmakers have embraced new technology to create a visually immersive world that pushes the boundaries of traditional filmmaking. Set in a distant future where humanity explores the unknown reaches of space, much of the film’s striking environments were brought to life using Unreal Engine. With its real-time rendering capabilities, Unreal Engine allowed the team to craft expansive planetary landscapes, canyons carved with ancient temples, and thrilling scenes swooping through geometric caves with remarkable detail. The ability to make adjustments on the fly in a virtual production environment helped streamline the process and ensure the creative vision remained intact.
A key feature of STARPOST is the use of Metahumans to portray the villainous pilots in pursuit of our heroes. These digital characters, created using Metahuman Creator, provided a level of realism that added depth to the story. The ability to design highly detailed, customizable human figures gave the filmmakers the flexibility to capture the pilots' intimidating personalities. From facial expressions to intricate hair and skin textures, Metahumans enabled the team to bring these characters to life in a way that felt natural and engaging.
By integrating Unreal Engine and Metahumans into the filmmaking process, STARPOST demonstrates how technology can enhance storytelling in subtle yet impactful ways. These tools allowed the filmmakers to create detailed worlds and characters that might otherwise have been difficult to achieve, all while keeping the focus on the story. As the use of digital environments and virtual humans continues to evolve, STARPOST offers a glimpse into the future of filmmaking, where new tools and techniques can help bring creative visions to life for independent filmmakers in ways that were once only imaginable for big studios.
Official Synopsis:
When a ragtag team of pilots, led by the no-nonsense Scout, gets caught in a deadly dogfight over a hostile planet, it’s up to them to outsmart enemy forces, dodge explosive fire, and escape with vital intel that could change the course of the war.
With her no nonsense boss Hutch and relentlessly optimistic partner Dodge, Scout must lead the charge. The mission is simple: get in, grab the intel, and get out, but things go south fast. One by one, their team is shot down, and Scout’s skills are pushed to the breaking point. It's a high-octane race to survive, finish the mission, and get back home - alive.
It was amazing to work with some of our favorite cast members and collaborators on STARPOST!
We’re thrilled to be working with Benedict Mazurek again! Along with STARPOST, Benedict also starred in The West and the Ruthless, Danger! Danger! and our TV Pilot Love’s Gate. Most recently he also voiced the character Rival in The BackSpace Trilogy. Also returning is Alexander Harris! We worked with Alex on our feature films The West and the Ruthless and Danger! Danger! Alex also starred in the TV Pilot for Love’s Gate (and wrote the script!) AND we’re over the moon to be working with Rebecca Gomberg again! Rebecca starred in our feature film The West and Ruthless as Scarlet Winchester.
Two voice actors we’re thrilled to be working with again are George Ashby and Daniel L McCullen, both of whom we worked with on Tales from Black Manor. And for the first time we are thrilled to be working with Dan Anders as the robot Duo.
We’re thrilled to announce our next project in production, STARPOST!
STARPOST has it all! Spaceships! Robots! And an amazing cast that we were delighted to work with!
STARPOST has a very special place in our hearts as it’s the continued culmination of everything we’ve been working towards for years.
When we first started work on our short films, we always wanted to create entire worlds combining live action, 3D, and motion graphics.
After our feature films, The West and the Ruthless and Danger! Danger! we began work on BackSpace and Tales from Black Manor. The first was designed to push 3D and Unreal Engine to its limits, and the later was designed to launch us further into world building.
After completing all of these projects, we’re really excited to head into this next chapter of mixing everything we’ve been learning over the years with STARPOST.
Documentary Graphics Cutdown
It was great working with the IF team on these spots and creating the 2D graphics! They did an amazing job!
CREDITS
Studio: Imaginary Forces
Client: Zillow
CREDITS
Studio: Imaginary Forces
Client: Amazon
Here’s an excerpt from a brand new article about the making of Tales from Black Manor over on Raindance:
FROM FOOTAGE TO FABLE
We just completed our Third and Final Series of Tales from Black Manor. An entire world that now comprises 14 Episodes about a family whose history intertwines with the Deaths. And we made the entire thing from stock footage.
There’s a unique thrill that comes with building an entire world from scratch. It's an invitation to craft not just characters and plots but an entire universe with its own rules, history, and pulse.
This particular tale spans centuries—from the dark days of the 1300s to an unknown future—telling the haunting legacy of a single family entangled with Death itself. Tales from Black Manor is about lineage, loss, and fighting fate.
This project began as an experiment. During the pandemic, when traditional production was halted and film sets went dark. Creativity itself felt like it was standing still. We had just completed our second feature film and felt the wind in our sails and then suddenly we couldn’t make our next film. So we began to wonder what we could create without production?
Here’s an excerpt from a brand new article about the making of Tales from Black Manor over on Horror Fuel:
People love the unpredictable nature of anthologies. In an era where binge-watching means hours spent on one story arc, an anthology series feels refreshing. Think about Black Mirror, where each episode feels like a one-off nightmare of the near future. And in Love, Death & Robots, the short format helps each piece feel like a glimpse into a strange, unfamiliar world, where not everything has to be fully explained. Tales from Black Manor brings that same focus, but it keeps a shared history, a family story that ties everything together.
Each episode is its own mini-thriller, but it also adds a piece to a bigger puzzle—a family that chooses their immortality over the life of another. This lets the series tell stories in different eras, with different characters, giving each one its own unique look and feel.
An anthology gives a lot of freedom, too. It doesn’t have to stick to one storyline, so it keeps things fresh. You never quite know what the next story might bring. For Tales from Black Manor, that’s half the fun.
Here’s an excerpt from a brand new article about the behind the scenes of Tales from Black Manor over on GeekTyrant:
Genre anthologies are on the rise, and there’s a good reason why. From Love, Death & Robots to Black Mirror and V/H/S, these short-story collections have found a way to hook viewers who want just enough to get spooked, intrigued, or blown away, without committing to a long narrative.
Tales from Black Manor - a series about a family’s dark legacy with Death itself, stretching from the 1300s to the present - taps into this trend with short, punchy stories that get to the heart of the story fast.
The beauty of Tales from Black Manor lies in its setup: each story is a glimpse into another Black family member dealing with Death in its own way, yet each tale connects to a larger, ominous history. One story might show an ancestor's willingness to kill in the name of Death in medieval times, while another jumps ahead to a more modern character grappling with that same dark presence. It’s the kind of approach that lets the story unfold in fragments, keeping each episode fresh while building a deeper, shared story across time.
During the creation of Tales from Black Manor, we designed several ALT posters for different episodes. These were either designed to be the original poster and we decided to go a different route, or the edit for the episode itself changed and a new design was more fitting.
