Tales from Black Manor, The Movie Trailer
TALES FROM BLACK MANOR
Enter the chilling world of 'Tales from Black Manor,' a film that beings in the 1300s and heads through time all the way to the end of the world following one family’s ties to the Deaths.
A king's haunting tale of a woman named Death promises victory to the son who slaughters the most in her name. The House of Black rises, and in a gruesome war, they claim triumph. Over the next several centuries the family intertwines with the Deaths and learn the secret of how to live forever.
CREDITS
Directed By: Nick + Lexie
Written By: Nick Trivundza
Produced By: Nick + Lexie Trivundza
An Adventure Company Film
Music By Orchestralis
Copyright © Adventure Company MMXXV
CAST
Death: James Brinkley
Anastasia Black: Holly Standbrook
Atticus Black: Paul Haapaniemi
Lucas: Dan Fowlks
Alistair Black: George Ashby
Ivy Black: Dorothy Grey
Adolphus Winter: Eric George Asch
Death: Camilla Clarke
Jones: Griffin Puatu
Kat: Linnea Sage
Suzie Black: Nicola Fordwood
Bloody Mary Black: Charlotte Jones Walker
Oliver Black: Silas McGreggor
Miss Nobody: Lily Lacroix
Annabelle Black: Asher Willis
The Keeper: Daniel L McCullen
Stills
Tales from Black Manor, Main on End
Designing the The Main on End
Creating the Main on End titles for Tales from Black Manor gave us the perfect excuse to revisit the eerie charm of the Black family estate—this time, with a magnifying glass. Freed from the constraints of individual narratives, we dove into the finer details that had always haunted the edges of the frame. The titles became a kind of cinematic scrapbook, tying together the threads of each tale in a single, hauntingly cohesive space.
We highlighted key artifacts from the stories—Alistair Black’s legendary sword, Suzie’s unsettling collection of dolls, and the chilling study of Mr. Winter. Even the basement, where Ivy’s deranged father was once chained, gets its moment in the spotlight. Each location and prop was chosen to deepen the lore, creating subtle echoes of the characters’ fates and the twisted history of the manor itself.
One of our favorite touches? The gramophone that plays during the Orchestralis title—a sly nod to the film’s music and a peek behind the curtain. Throughout the sequence, we wove in visual easter eggs and set pieces that never quite made it into the episodes, giving them a final, ghostly breath of life. The Main on End became more than just credits—it became a last, lingering look at a house built on secrets.
We also had the chance to shine a light on the manor’s forgotten corners—the shadowy nooks thick with cobwebs, shelves sagging under the weight of ancient books, and dusty instruments of bizarre experimentation all flickering with candlelight. And in those dark corners, we planted subtle hints of even more members of the Black family—their portraits proudly displayed, each one with a story still untold. Their presence suggests that the Black Manor has more tales to tell…
Main on End, Stills
